
| This photo is the result of luck and persistence (or stubbornness). Up early one morning, I rode the Parkway toward Mt. Pisgah, looking for the sunrise (have I written this before?). Sunrises and sunsets are always challenging to me in black and white, as it's often the color that makes them interesting. In black and white, there has to be something else there. I've driven that section of the Parkway scores, if not hundreds, of times and had never before noticed this particular tree, standing alone just below the roadbed. I set up the camera quickly, excited by what I saw on the ground glass, and quickly made the exposure. The range of brightness between the tree and the sky was too great for N-1 development, so made one exposure for the sky, covered the top half of the lens with the dark slide, and gave the bottom half another exposure. In my excitement, I didn't let the camera settle after pulling the dark slide, and the first exposure was blurred from the motion of the camera. I did this not once, but three times. I went home and developed the film, and practically peeled the paint from the darkroom walls with strong language when I saw the ruined negatives. The next morning I went back. In the meantime, a large woods fire in Tennessee had sent smoke into western North Carolina, and it lay in the space between the ridges, which gives the photo an ethereal look it wouldn't otherwise have had. So, if I hadn't messed up the first batch, I would never have gotten the much superior photo the second day. There should be some deep meaning in that, but I don't know. Never give up? |
| As most people seem to prefer them, prices are for framed prints, ready to hang. I use a very nice matt black wood frame 7/8 of an inch wide, with a white mat. If you would like to order unframed prints, go to the "Purchase" page for pricing. |